Currently I am in my fourth day in Seattle which I must say I like a lot. I could totally see myself living here. People in this city care about food to the point where even the street vendors are gourmet, there are lines around the block for art installations, and crowds that rival Boston pride converge on a neighborhood for the "Solstice Parade" which features naked bicylcists covered in body paint and a float honoring the Flying Spaghetti Monster.
Also lots of independent book stores, great coffee, serious drinkers, and decent music playing in almost every establishment I've gone into.
Below are some pics:
The Solstice Parade in Fremont which I'm told is a [rapidly gentrifying] hippie neighborhood (come on they have a SOLSTICE PARADE). How hippie is this neighborhood? there's a de-commisioned cold-era missile now decorated with Xmas lights literally a block away from a massive bronze statue of Vladimir Lenin.
Ok Ok Ok here are the naked people on bikes. Being short (5'6) I couldn't really see them over the crowd during the parade, plus I got there late when most had peddled off. I managed to get this shot before the naked part of the parade ended.
Luckily many nude cyclists opted to do a victory lap
post-procession where I got an unobstructed view.
Yes, that brave soul with the polka dots holding onto his junk for dear life is riding a unicycle!
Also worthy of note the brand of portable toilets are called "Honey Buckets" which is just about the most revolting euphemism for a port-a-john I can imagine.
I also checked out "The Moore Inside Out" which was a massive 50-artist installation that took over the entirety of the Moore Theater for one night. The Moore, which is attached to my hotel, is just over 100 years old and GORGEOUS.
(Pics of the theater exterior and interior not mine)
A massive stage, mezz, and balcony, marble lobby, and an amazing line-up of musical acts. The installation was free and was ABSOLUTELY PACKED WITH PEOPLE. There were some amazing performances and visual projects but my favorite was this simple one: a makeshift structure in the lobby that mimicked the facade elements of the theater held together by red string. When you walked through an archway at the bottom and looked up you saw a beautiful chandelier that the facade had been hiding. Such a subversive piece for an event that was supposed to celebrate the theater as an enduring building.
The building erected to the arts is made clumsy by
and obstructive to the art itself inside.
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